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The pots we use in our
home are like stage sets. At rest on a table, dish drainer, or in
a cupboard, they are visually engaging. Through use they provide
access to other
activities: gathering food from the garden, cooking, conversation,
dining, arrangement
of flowers, sorting of papers. This daily relationship with the
pots offers up both
utility and continual visual inquiry. The pots selected here reflect
those concerns of
mine.
Education
B.A., Hamline University
Hamline University Graduate Apprenticeship Program
Banff Center School of Fine Arts Ceramic Residency
Program Awards
National Endowment for the Arts Fellowship (1993)
(selected) McKnight Foundation Fellowship, East Central Arts Council
(2001,1996,1992)
McKnight Foundation Visual Arts Fellowships (1997,1990)
Minnesota State Arts Board Fellowship (1999)
Faculty (selected)
Dayton/Hudson Distinguished Artist/Teacher, Carleton College (2001
- 2003)
Koopman Chair, Hartford Art School, Hartford, Connecticut (2002)
Haystack Mountain School of Crafts
University of Georgia-Athens
Cleveland Institute of Arts
Penland School of Crafts
Anderson Ranch Arts Center
Solo Exhibits
(Selected)
Contemporary Ceramics, London, England
Laumeier Sculpture Park, St. Louis, Missouri
Clay Art Studio, Port Chester, New York
Manchester Craftsmen's Guild, Pittsburgh, Pennsylvania
Raymond Avenue Gallery, St. Paul, Minnesota
Pro-Art, St. Louis, Missouri
Association of Fire Arts, Caracas, Venezuela
Group Exhibits
(selected)
Gallery Shun, Tokyo, Japan
Ting '99, Ransater, Sweden
Fletcher Challenge, Auckland, New Zealand
Public Collections
(selected)
Frederick Weisman Museum
Northern Clay Center
University of Arizona
Minnesota Historical Society
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