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The subject matter of my work is function. Of concern to me is how
my pottery operates in a domestic setting, both physically and aesthetically.
Initially all work is thrown on a potter’s wheel, later to
be altered using a variety of techniques. These techniques are often
traditional ones modified to suit my ideas. My current firing method
is soda firing, a contemporary version of a 16th century German
process where a sodium compound is introduced into the kiln as it
reaches 2300 degrees. The sodium interacts with the glaze and produces
a varied surface, which is often unpredictable. It is this element
of risk that drives my work.
For several decades my central source of inspiration came from historical
pottery of the Far East, England, and Europe. A trip to New Zealand
ten years ago reintroduced me to Art Deco architecture with its
abundance of geometric and playful detail. This has become a central
theme in my work. I have been to Napier, a predominately Art Deco
village with over 100 commercial buildings of this style, on several
occasions.
Personal Information
and Educational Background
Born: December 7, 1947; St. Paul, Minnesota
Occupation: Studio Potter and Pottery Instructor
Education: 1965-1967, 1968-1969 Bemidji State University; B.A. (Studio
Art)
1967-1968 University of Minnesota, Minneapolis, Minnesota
1969-1971 Apprenticeship, The Bernard Leach Pottery, St. Ives, England
Teaching
Positions and Residencies
Summer Session 2003
Instructor, Sierra Nevada College, Lake Tahoe, Nevada
Instructor, Long Beach Island Foundation of Arts & Sciences,
Long Beach, New Jersey
Summer Session
2002
Instructor, Metchosin International Summer School of the Arts, Victoria,
BC, Canada
Instructor, Anderson Ranch School of Crafts, Snowmass Village, Colorado
Instructor, Waubonsee Communty College, Sugar Grove, Illinois
Summer
Session 2001
Instructor, Peters Valley Crafts Center, Layton, New Jersey
Winter Semester 2001
Artist-in-Residence, Professor, Eminent Scholar, The College of
William and Mary, Williamsburg, Virginia
Summer
Session 1998
Instructor; Appalachian Center for Crafts, Smithville, Tennessee
Summer
Session 1997
Instructor; Arrrowmont School of Arts and Crafts, Gatlinburg, Tennessee
Santa Fe Clay, Summer Workshop Program, Santa Fe, New Mexico
April-June
1995
Artist-in-Residence, UNITEC Institute of Technology, Auckland, New
Zealand
September
1994
Visiting Artist, Archie Bray Foundation, Helena, Montana
Summer
Session 1994
Instructor; Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
Summer
Session 1993
Guest Instructor; Asociacion Venezolana de las Artes del Fuego,
Caracas, Venezuela
Instructor; Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
Instructor; Peters Valley Crafts Center, Layton, New Jersey
Winter
Semester 1993
Assistant Instructor; Rhode Island School of Design, Providence,
Rhode Island
Summer
Session 1992
Instructor; Emily Carr College of Art and Design, Vancouver, B.C.,
Canada
Instructor; Anderson Ranch School of Crafts, Snowmass Village, Colorado
Spring
Quarter 1992
Artist-in-Residence (Lecturer); Ohio State University, Columbus,
Ohio
Summer
Session 1991
Instructor; Haystack Mountain School of Crafts, Deer Isle, Maine
August
1990–May 1991
Assistant Instructor; Alfred University, Alfred, New York
Summer
Session 1990
Instructor; Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
Summer
Session 1989
Instructor; Anderson Ranch School of Crafts, Snowmass Village, Colorado
Instructor; The Penland School of Crafts, Penland, North Carolina
Instructor; Miami University, Oxford, Ohio
Summer
Session 1988
Instructor; Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
Summer
Session 1987
Instructor; The Penland School of Crafts, Penland, North Carolina
Instructor; Peters Valley Crafts Center, Layton, New Jersey
Summer
Session 1986
Instructor; Rhode Island School of Design, Providence, Rhode Island
Instructor; Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
Instructor; Anderson Ranch School of Crafts, Snowmass Village, Colorado
Summer
Session 1985
Visiting Instructor; Alfred University, Alfred, New York
Sept.
1984 - June 1985
Instructor; Hamline University, St. Paul, Minnesota
Summer
Session 1984
Instructor; Haystack Mountain School of Crafts, Deer Isle, Maine
Instructor; Colorado Mountain College (Summervail); Minturn, Colorado
Winter
Quarter 1984
Artist-in-Residence (Lecturer); Ohio State University, Columbus,
Ohio
Winter
Semester 1982
Instructor; Tyler School of Art, Philadelphia, Pennsylvania
Winter
Quarter 1981
Artist-in-Residence (Lecturer); Ohio State University, Columbus,
Ohio
Summer
Session 1981
Visiting Instructor; Kansas City Art Institute, Kansas City, Missouri
Summer
Session 1980
Instructor; The Penland School of Crafts, Penland, North Carolina
Summer
Session 1979
Visiting Instructor; Kansas City Art Institute, Kansas City, Missouri
January
- June 1978
Guest Instructor of Ceramics; The Memphis Academy of Arts, Memphis,
Tennessee
Awards
2001 Career Opportunity Grant, Minnesota States Art Board
Honorable Mention: “The 1st World Ceramic Biennial 2001 Korea
International Competition”, Korea
1999 Minnesota State Arts Board Assistance Fellowship Grant
Purchase Award: “Ceramics Monthly International Competition”,
Columbus Convention Center, Columbus, Ohio
1998
McKnight Artist Fellowships for Ceramic Artists
Jerome Foundation Travel and Study Grant
1996
ECAC McKnight Individual Artist Grant
Juror's Choice Award: “The Fourth Annual Strictly Functional
Pottery National Exhibit”,
Lancaster, Pennsylvania
1994
Minnesota State Arts Board Artist Assistance Fellowship Grant
1993
Project Directors Award: “The First Annual Strictly Functional
Pottery National Exhibit”, Lancaster, Pennsylvania
1991
Double Award of Merit: Fletcher Challenge Ceramics Award, Auckland,
New Zealand
1990
Minnesota State Arts Board Fellowship Grant
1986
National Endowment for the Arts Fellowship Award
Workshops
and Lectures
2003 National
Council on Education for the Ceramics Arts Conference (Presenter),
San Diego, California
Auckland Studio Potters, Auckland, New Zealand
Bray Bash West, Seward Art Studio, Seattle, Washington
North Country Studio Conference (Presenter), Bennington College,
Bennington, Vermont
2002 Potters Sunday (Presenter), Rhode Island School of Design,
Providence, Rhode Island
Southern Illinois University, Carbondale, Illinois
The Art of Fine Craft, University Place Art Center, Lincoln, Nebraska
Gropius Masters Workshop, Huntington Museum of Art, Huntington,
West Virginia
Western Carolina University, Coulowee, North Carolina
Homer, Alaska
University of Arkansas, Little Rock, Arkansas
2001
TAFE, Chisholm, Dandenong, Melbourne, Australia
RMIT, Melbourne, Australia
Victoria Ceramics Group, Melbourne, Australia
TAFE, Bendigo, Australia
Bosc Hill, Melbourne, Australia
The National Art School, Sydney, Australia
Tasmania Potter’s Society, Tasmania, Australia
Ararat Prison, Ararat, Australia
Emily Carr School of Art, Vancouver, BC,Canada
Canadian Clay Symposium, Vancouver, BC, Canada (presenter)
Midland College, Midland, Texas
Brooklyn Potter’s Assocation, Brooklyn, New York
Metchosin International School of the Arts, Victoria, Canada
Halibut Cove, Alaska
Anchorage Community College, Anchorage, Alaska
Red Star Studios, Kansas City, Missouri
Seward Art Studio, Seattle, Washington
Minnesota State University Community College Art Symposium, Moorhead,
Minnesota
Terra Incognito, Chicago, Illinois
1999
Eastern Kentucky University, Richmond, Kentucky
The 9th National Ceramics Conference, Perth, Australia
Odyssey Center for the Ceramic Arts, Asheville, North Carolina
Northern Clay Center, Minneapolis, Minnesota
Minnetonka Art Center, Minnetonka, Minnesota
Carbondale Ceramics Center, Carbondale, Colorado
Clay Art Center, Port Chester, New York
92nd Street Y, New York City, New York
The Foothills Art Center, Golden, Colorado
Worcester Center for Crafts, Worcester, Massachuseetts
1998
University of the West of England, Bristol, England
Royal Forest of Dean College, Coleford, England
University of Wales Institute, Cardiff, Wales
Duncan of Jordanstone College of Art, Tayside, Scotland
Linnean Society, London, England
Southern Ceramic Croup, Southampton, England
North Wales Potters Association, Denbigh, Wales
London Potters and Craft Potters Association, London, England
Boulder Potter’s Guild, Boulder, Colorado
Hinckley Pottery, Washington DC
San Diego State University, San Diego, California
Lill Street Gallery, Chicago, Illinois
1997
Roswell Art Center, Roswell, New Mexico
Clay Factory, Tampa, Florida
10th North Carolina Potters Conference, Asheboro, North Carolina
(guest speaker)
International Potters Festival, Aberystwyth, Wales (guest demonstrator)
1996
Brookhaven College, Dallas, Texas
Oakland Community College, Bloomfield Hills, Michigan
Duluth Art Institute, Duluth, Minnesota
El Camino Community College, Torrance, California
Trax Gallery, Berkeley, California
Edina Art Center, Edina, Minnesota
Mt. Hood Community College, Gresham, Oregon
Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee. (“Utilitarian
Clay : Celebrate the Object II” conference presenter)
1995 North Island College, Courtenay, British Columbia, Canada
“Confluence”, Continental Clay Company, Minneapolis,
Minnesota
UNITEC Institute of Technology, Auckland, New Zealand
Archie Bray Foundation, Helena, Montana
Holter Museum of Art, Helena, Montana
1994
Northern Clay Center, St. Paul, Minnesota
University of Northern Iowa, Cedar Falls
Western Kentucky University, Bowling Green, Kentucky
“Phoenix”, Studio Potter, Dunbarton, New Hampshire
Auckland Studio Potters, Auckland, New Zealand
1993
University of Florida, Gainesville, Florida
Hartford School of Art, Hartford, Connecticut
South County Art Association, Kingston, Rhode Island
Mesa Arts Center, Mesa, Arizona
Northern Clay Center, St. Paul, Minnesota
1992
Canterbury Potters Association, Christchurch, New Zealand
Otago Polytechnic School of Art, Dunedin, New Zealand
Wanganui Polytechnic, Wanganui, New Zealand
Waiariki Polytechnic, Rotorua, New Zealand
Auckland Studio Potters, Auckland, New Zealand
Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee (“Utilitarian
Clay: Celebrate the Object I” conference presenter)
Maryville University, St. Louis, Missouri
University of Illinois, Edwardsville, Illinois
Ohio University, Athens, Ohio
Kalamazoo Institute of Arts, Kalamazoo, Michigan
1991
Chester Springs Studio, Chester Springs, Pennsylvania
Carington Polytechnic, Auckland, New Zealand
Cape Cod Potters Association, Hyannis, Massachusetts
The Penland School of Crafts, Penland, North Carolina
“Form and Function Workshop”, The Banff Center of Fine
Arts, Banff, Alberta, Canada
The 92nd Street Y, New York City, New York
Craft Center at Frog Hollow, Middlebury, Vermont
“A Potter’s Progression”, 92nd Street Y, New York
City, New York
Pewabic Pottery, Detroit, Michigan
1990
Ceramic League of Miami, Miami, Florida
Hui Noeau Visual Arts Center, Maui, Hawaii
New Brunswick Craft School, Fredericton, New Brunswick, Canada
The Worcester Center for Crafts, Worcester, Massachusetts
The College of Wooster, Wooster, Ohio
South Country Art Association, Kingston, Rhode Island
1989
Pewabic Pottery, Detroit, Michigan
University of Louisville, Louisville, Kentucky
Ontario Clay and Glass Association, Toronto, Ontario, Canada
92nd Street Y, New York City, New York
NCECA Conference, panelist for “Tradition and Metamorphosis”,
Kansas City, Missouri
1988
Haystack Mountain School of Crafts, Open Door Session) Deer Isle,
Maine
Rhode Island School of Design, Providence, Rhode Island
Swain School of Design, New Bedford, Massachusetts
Portland School of Art (two week residency), Portland, Maine
El Camino Community College, Torrance, California
Sunnyvale Art Center, Sunnyvale, California
River Oaks Square Arts and Crafts Center, Alexandria, Louisiana
University of Nebraska, Lincoln, Nebraska
Louisiana State University, Baton Rouge, Louisiana
1987
Southwest Crafts Center, San Antonio, Texas
University of Northern Illinois, DeKalb, Illinois
Waubonsee Community College, Waubonsee, Illinois
Highland Community College, Illinois
Northwestern College, St. Paul, Minnesota
Nova Scotia College of Art and Design, Halifax, Nova Scotia, Canada
St. Louis Community College, St. Louis, Missouri
Lill Street Studios, Chicago, Illinois
1986
Kansas City Art Institute, Kansas City, Missouri
University of Southern Illinois, Edwardsville, Illinois
Wichita State University, Wichita, Kansas
Long Island Craftsman’s Guild, Long Island, New York
Westover School, Middlebury, Connecticut
Casper College, Casper, Wyoming
Arvada Center for the Arts, Arvada, Colorado
Rochester Community College, Rochester, Minnesota
1985
NCECA Conference, special interest group leader, “Money and
the Muse”, St. Louis, Missouri
Montgomery College, Rockville, Maryland
The Renwick, Smithsonian Institution, Washington, D.C.
St. Louis Community College, St. Louis, Missouri
Louisiana Crafts Council, Baton Rouge, Louisiana
1984
Arvada Center for the Arts, Arvada, Colorado
The College of Wooster, Wooster, Ohio
NCECA Conference, panelist for “Studio Pottery”, Boston,
Massachusetts
1983 “Clay Interaction ‘83” Utah State University,
Logan, Utah
“Clay Symposium, ‘83”, University of Notre Dame,
South Bend, Indiana
Oregon School of Arts and Crafts, Portland, Oregon
Bemidji State University, Bemidji, Minnesota
Columbus Clay Company, Columbus, Ohio
Kansas State University, Manhattan, Kansas
Hamline University, St. Paul, Minnesota
University of Southern Illinois, Edwardsville, Illinois
1981
Columbus Cultural Art Center, Columbus, Ohio
1980
Kansas City Art Institute, Kansas City, Missouri
North Branch Public Schools, North Branch, Minnesota
University of Wisconsin, Superior, Wisconsin
1978
Bethel College, St. Paul, Minnesota
Minnetonka Arts Center, Minnetonka, Minnesota
Duluth Art Institute, Duluth, Minnesota
1977
St. Cloud State University, St. Cloud, Minnesota
1976
College of St. Catherine, St. Paul, Minnesota
1973
St. Paul Arts and Science Center, St. Paul, Minnesota
Brooklyn Center Arts Center, Brooklyn Center, Minnesota
University of Wisconsin, River Falls, Wisconsin
1971
Bemidji State University, Bemidji, Minnesota
One
Person Exhibitions
2002 North Harris
Community College, Houston,, Texas
2001
The College of William and Mary, Williamsburg, Virginia
B15 Gallery, Munich, Germany
St. Ives Ceramics Gallery, St. Ives, Cornwall, Englandp
Albany Village Gallery, Albany, New Zealand
Red Star Studios, Kansas City, Missouri
Pinch, Northampton, Massachusetts
1999
The Works, Philadelphia, Pennsylvania
Clay Art Center, Port Chester, New York
Ceramic Art Gallery, Sydney, Australia
1998 Contemporary Ceramics, London, England
Albany Village Gallery, Albany, New Zealand
1997
Ceramic Art Gallery, Sydney, Australia
Avante Gallery, Cleveland, Ohio
Craft Alliance, St. Louis, Missouri
1996
The Works Gallery, Philadelphia, Pennsylvania
Avante Gallery, Cleveland, Ohio
Trax Gallery, Berkeley, California
1995
Avante Gallery, Cleveland, Ohio
The Works Gallery, Philadelphia, Pennsylvania
Albany Village Pottery, Albany, New Zealand
1994
The Works Gallery, Philadelphia, Pennsylvania
Pots at Ponsonby, Auckland, New Zealand
1993 Galeria Barro y Fuego, Caracas, Venezuela
1992
Pro Art, St. Louis, Missouri
1991
Garth Clark Gallery, New York, New York
1990
Garth Clark Gallery, Kansas City, Missouri
The Works, Philadelphia, Pennsylvania
Pro Art, St. Louis, Missouri
1989
Swidler Gallery, Royal Oak, Michigan
Pro Art, St. Louis, Missouri
Garth Clark Gallery, Los Angeles, California
Jackson County State Bank, Kansas City, Missouri (sponsored by Pro
Art, St. Louis, Missouri)
1988
Pro Art, St. Louis, Missouri
Garth Clark Gallery, New York, New York
1987
Pro Art, St. Louis, Missouri
1986
Alfred University, Alfred, New York
Garth Clark Gallery, Los Angeles, California
Lodestone Gallery, Boulder, Colorado
Pro Art, St. Louis, Missouri
1985
Hamline University, St. Paul, Minnesota
St. Louis Community College, St. Louis, Missouri
Ree Schonlau Gallery, Omaha, Nebraska
1984
Craft Alliance Gallery, St. Louis, Missouri
1983
Tyler School of Art, Philadelphia, Pennsylvania
Bemidji State University, Bemidji, Minnesota
1981
Rochester Art Center, Rochester, Minnesota
1980
Western Colorado Center for the Arts, Grand Junction, Colorado
1979
Springfield Art Association, Springfield, Illinois
Osborne Gallery, St. Paul, Minnesota
Kansas City Art Institute, Kansas City, Missouri
Bemidji State University, Bemidji, Minnesota
Lakewood Community College, White Bear Lake, Minnesota
1987
Memphis Academy of Art, Memphis, Tennessee
Duluth Art Institute, Duluth, Minnesota
1977
Rainy Lake Community College, International Falls, Minnesota
Art Lending Gallery, Minneapolis, Minnesota
1976
Art Lending Gallery, Minneapolis, Minnesota
1974 Smith Park Gallery, St. Paul, Minnesota
1973
West Bank Gallery, Minneapolis, Minnesota
1972
Augsburg College, Minneapolis, Minnesota
Smith Park Gallery, St. Paul, Minnesota
1971
Bemidji State University, Bemidji, Minnesota
Invitational
and Group Exhibition
2003 “
“Tea, Anyone?”, Racine Art Museum, Racine, Wisconsin
“Pots in the Kitchen”, Rufford Craft Centre, Notthinghamshire,
England. Gallery of BC Ceramics, Vancouver, BC,
Canada
“21st Century Ceramics in the United States and Canada”,
Columbus College of Art and Design, Columbus, Ohio
“National Ceramics Invitational 2003”, The University
of Texas, Tyler, Texas
“Container-Content”, Fuller Museum of Art, Brockton,
Massachusetts
“Influences, Interpretations, and Traditions from Asian Ceramics”,
White Lotus Gallery, Eugene, Oregon
“Mingei Legacy”, Mingei International Museum, San Diego,
California
“Bray Bash West”, University of Washington, Seattle,
Washington
“Just Bowls”, Artworks Gallery, Bozeman, Montana
“30 Artists-30 Years”, Groveland Gallery, Minneapolis,
Minnesota
2002 “International Salt Glaze Ceramics Competition 2002”,
Handwerkskammer Koblenz, Koblenz, Germany
“The American Shino Exhibition”, Fitchburg Art Museum,
Fitchburg, Massachussetts
“Objects for Use: Handmade by Design”, American Craft
Museum, New York, New York
“Vessel Invitational 2002: Contemporary Clay”, Davidson
Art Gallery, Roberts Wesleyan College, Rochester, New York
“Former Residents of the Bray Show”, Turman Gallery,
Helena, Montana
“Mastery in Clay: New Work”, The Clay Studio, Philadelphia,
Pennsylvania
“Jeff Oestreich & Michael Simon”, Lill Street Gallery,
Chicago, Illinois
“Jeff Oestreich & Julia Galloway”, Peck Gallery,
Providence, Rhode Island
“Snowbirds”, Santa Fe Clay, Santa Fe, New Mexico
2001
“First Korean International Ceramics Competition Exhibition”,
Korea
“Enhancements: Handcrafted Functional Objects”, Museum
of the Southwest, Midland, Texas. Del Rio Council for the Arts,
Del Rio, Texas. J Wayne Stark University Center Galleries, College
Station, Texas. Perspective Gallery, Blacksburg, Virginia.
“Clay/ Wood/ Fire/ Salt”, Ohio Craft Museum, Columbus,
Ohio
“American Shino”, Babcock Galleries, New York, New York
“Enhancements: Handcrafted Functional Objects”, Museum
of the Southwest, Midland Texas. Del Rio Council of the Arts, Del
Rio, Texas. Perspective Gallery, Blacksburg, Virginia. J Wayne Stark
University Center Galleries, College Station, Texas
“25 Select 25”, Lill Street Gallery, Chicago, Illinois
“Exchanging Views”, The Clay Studio, Philadelphia, Pennsylvania
“Strictly Dysfunctional”, Indiana University, Gary,
Indiana
“Salt & Ash”, The Gallery at Santa Fe Clay”,
Santa Fe, New Mexico
2000
“Below the Salt: Echoes Across a Century”, City Museum,
Portsmouth, England, and The Castle Museum, Nottingham, England
“Color and Fire”, Los Angeles County Museum of Art,
Los Angeles, California
“Crosscurrents”, Freehand Gallery and the British Consulate,
Los Angeles, California
“Canadian Clay Presents”, Pottery Guild of British Columbia,
Vancouver, BC, Canada
“Building a Collction: Ceramics at the Weisman Art Museum”,
Weisman Museum, Minneapolis, Minnesota
“American Masters”, Santa Fe Clay, Santa Fe, New Mexico
“Beautiful Use: A National Pottery Invitational”, Montgomery
College, Rockville, Maryland
“Alaska Juried Clay Exhibition”, Bunnell Street Gallery,
Homer, Alaska
“NCECA 2000”, Show of Hands, Denver, Colorado
“Vessels that Pour”, Vermont Clay Gallery, Waterbury,
Vermont
“Clay on Clay”, The Klay Gallery, Nyack, New York
“Big Bang”, Rochester Art Center, Rochester, Minnesota
“2000 Alaska Juried Clay Exhibition”, (juror), Bunnell
Street Gallery, Homer, Alaska
“Our Cups Runneth Over”, The Society of Arts and Crafts,
Boston, Massachusetts
“Mug Shots: National Ceramics Invitational Exhibition 2000”,
Artworks Gallery, Bozeman, Montana
“Commence Vision”, Peck Gallery, Providence, Rhode Island
“10th Anniversary Exhibition”, Northern Clay Center,
Minneapolis, Minnesota
“Twelve Potters: Contemporary American Pottery”, Troyer
Gallery, Washington DC
“Cups, Cupboards & Cabinets”, The Signature Gallery,
Atlanta, Georgia
“Clay/Wood/Fire/Salt”, The Galleries of Southern Highland
Craft Guild, Asheville, North Carolina
“Color and Fire: Defining Moments in Studio Ceramics, 1950-2000”,
Los Angeles County Museum, Los Angeles, California.Kemper Museum
of Contemporary Art, Kansas City Missouri
1999
“Ceramics Monthly International Competition”, Columbus
Convention Center, Columbus, Ohio
“The Sidney Myer Fund International Ceramics Award”,
Shepparton Art Gallery, Shepparton, Australia, Swan Hill Regional
Art Gallery, La Trobe University, Bendigo, Geelong Art Gallery,
Horsham Regional Art Gallery, Wangaratta Arts Centre, Gippsland
Art Gallery, Hamilton Art Gallery
“Gold Coast Ceramic Art Award”, Gold Coast Arts Centre,
Surfers Paradise, Australia
“Pottery for Pleasure and Use”, The Ellipse Arts Ceneter,
Arlington, Virginia
“Four McKnight Artists”, Northern Clay Center, Minnespolis,
Minnesota
“Masterworks”, River Tree Arts, Kennebunk, Maine
“9th Holiday Invitational Exhibition”, Northern Clay
Ceneter, Minneapolis, Minnesota
“Ritual of the Table”, Odyssey Gallery, Asheville, North
Carolina
“The Art of Pouring”, The Clay Studio, Philadelphia,
Pennsylvania
“Person-To-Person: Interpretations of Function”, Tower
Fine Arts Gallery, SUNY College at Brockport, New York
“Defining Moments in Contemporary Ceramics”, Los Angeles
County Museum of Art, Kemper Museum, Kansas City, Missouri, Tuscon
Museum of Art, Tuscon, Arizona, Memorial Art Gallery, University
of Rochester, Rochester, New York, Anchorage Museum of History and
Art, Anchorage, Alaska
“Teapot Invitational”, KOBO Gallery, Seattle, Washington
“Diverse”, 9th National Ceramics Conference Delegates
Exhibition, Perth, Australia
“Four McKnight Artists”, Northern Clay Center, Minneapolis,
Minnesota
“Wood, Salt, Soda: Atmospheric Fired Ceramics”, Odyssey
Gallery, Asheville, North Carolina
“Select Twelve”, Ohio University Art Gallery, Athens,
Ohio
“Ceramic Reunion Exhibition”, Hopkins Hall Gallery,
Ohio State University, Columbus, Ohio
“A Bountiful Beginning: The First Five Years of Gifts to the
Frederick R. Weisman Art Museum”, Dolly Fiterman Riverview
Gallery, Minneapolis, Minnesota
“New Traditions 1999”, Worcester Center for the Crafts,
Worcester, Massachusetts
“Pacific Tides: The Influence of the Pacific Rim on Contemporary
American Ceramics”, Lancaster Art Museum, Lancaster, Pennsylvania
1998 “Salt Fired: Form and Function”, The Lynn Tendler
Bignell Gallery, Brookfield Craft Center, Brookfield, Connecticut
“Steeped in Tradition”, Ariana Gallery, Royal Oak, Michigan
“Vessels that Pour”, Gallery 1021:Lill Street, Chicago,
Illinois
“Put a Lid on it”, Appalachian Center for Crafts, Smithville,
Tennessee
“Contemporary Teapots: A National Survey”, Ferrin Gallery,
Northampton, Massachusetts
“Jeff Oestreich & Gail Kendall”, Gallery 1021 Lill
Street, Chicago, Illinois
“Domestic Pottery III”, Joanne Rapp Gallery, Scotsdale,
Arizona
1997
“1997 Fletcher Challenge Ceramics Exhibition”, Auckland
Museum, Auckland, New Zealand
“The Flourishing Tradition”, Mt. Hood Community College,
Gresham, Oregon
“1st Annual Ceramics Invitational”, Andrews University,
Berrien Springs, Michigan
“1997 NCECA Clay National Exhibition”,UNLV Barrick Museum,
Los Vegas, Nevada
“Archie Bray Foundation Exhibition”, Green Valley Library,
Henderson, Los Vegas
“Shades of Shino”, Baltimore Clayworks, Baltimore, Maryland.
Aberystwyth Arts Centre, Aberystwyth, Wales
“National Summer Faculty Invitational”, Arrowmont School
of Arts and Crafts, Gatlinburg, Tennessee
“Minnesota/Wisconsin Invitational”, Gallery 1021: Lill
Street, Chicago, Illinois
“Food, Glorious Food: Artists and Eating”, Wustum Museum,
Racine, Wisconsin
“Domestic Pottery”, Joanne Rapp Gallery, Scottsdale,
Arizona
“Holiday Invitational”, Northern Clay Center, Minneapolis,
Minnesota
“Functional Pottery: American Potters”, Arvada Center
for the Arts and Humanities, Arvada, Colorado
“The Best in Contemporary Clay”, Miller Gallery, Cincinnati,
Ohio
“Pitchers”, Appalachian Center for the Crafts, Smithville,
Tennessee
1996 “Fletcher Challenge Ceramics Award”, Auckland,
New Zealand
“Minnesota Teapot Show”, Art Resources Gallery, St.
Paul, Minnesota
“Fourth Annual Teapot Exhibition”, Craft Alliance Gallery,
St. Louis, Missouri
“Clay/Wood/Fire/Salt”, Contemporary Artifacts Gallery,
Berea, Kentucky
“Coffee and Teapot Invitational”, Lill Street Gallery,
Chicago, Illinois
“25th Anniversary Exhibition: 25 at 25”, The Society
for Contemporary Crafts, Pittsburgh, Pennsylvania
“The Fourth Annual Strictly Functional Pottery National”,
Market House Craft Center, Lancaster, Pennsylvania
“Major Mud: Ceramic Invitational Exhibition”, St. Petersburg
Center for the Arts, St. Petersburg, Florida.
“T he Leach Legacy Exhibition”, St. Ives Pottery Gallery,
St. Ives, Cornwall, England.
“A Survey of Contemporary Ceramics”, Tustin Renaissance
Gallery, Tustin, California
“National Teapot Show III”, Cedar Creek Gallery, Creedmoor,
North Carolina
“Utilitarian Clay: Invitational & Presenter’s Exhibition”,
Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
“Winter Fest Invitational”, Baltimore Clayworks, Balitmore,
Maryland
“Domestic Pottery”, Joanne Rapp Gallery, Scottsdale,
Arizona
1995 “National Council on Education for the Ceramic Arts Clay
National Traveling Exhibition”, Frederick R. Weisman Art Museum,
Minneapolis, Minnesota; McDonough Museum of Art, Youngstown, Ohio;
Muscarelle Museum of Art, Williamsburg, Virginia; Barton County
Community College, Great Bent, Kansas; Roswell Musuem, Roswell,
New Mexico; Texas A & M University, College Station, Texas;
University of Wyoming University Art Museum, Laramie, Wyoming; Tyler
Art Gallery, State University of New York, Oswego, New York; Perspective
Gallery, Virginia Polytech Institution, Blacksburg, Virginia; Montgomery
Museum of Fine Arts, Montgomery, Alabama
“Atmosphere and Element”, Baltimore Clayworks, Baltimore,
Maryland
“Fletcher Challenge Ceramics Award”, Auckland, New Zealand
“Hamline University Ceramics”, Hamline University, St.
Paul, Minnesota
“Third Annual Teapot Exhibition”, Craft Alliance Gallery,
St. Louis, Missouri
“Twists on the Teapot”, Pewabic Pottery, Detroit, Michigan
“The Singular and the Plural”, Craft Alliance Gallery,
St. Louis, Missouri
“Confluence”, Continental Clay Company, Minneapolis,
Minnesota
“Functional Pot”, Raymond Avenue Gallery, St. Paul,
Minnesota
Baltimore Clay Works, Baltimore, Maryland
“Minnesota Potters”, Kramer Gallery, Minneapolis, Minnesota
“Functional Pot”, Raymond Avenue Gallery, Saint Paul,
Minnesota
“50th Anniversary: Faculty Invitational, Arrowmont School
of Arts and Crafts, Gatlinburg, Tennessee
“Art for the Table: Contemporary American Functional Ceramics”,
Jenison-Meacham Memorial Art Center, Belmond, Iowa
“20th Anniversary Show”, Lill Street Gallery, Chicago,
Illinois
“Steeped in Tradition: The Contemporary Teapot”, Ariana
Gallery, Royal Oak, Michigan
1994
“Fletcher Challenge Ceramics Award”, Auckland, New Zealand
“Summer Teapot/Cup”, Nancy Margolis Gallery, Portland,
Maine
“National Teapot Invitational” Craft Alliance Gallery,
St. Louis, Missouri
“Teapots”, Margo Jacobsen Gallery, Portland Oregon
“Teapots”, Banaker Gallery, San Francisco, California
“Arrowmont Faculty: Summer 1994”, Gatlinburg, Tennessee
“30th Anniversary Holiday Exhibition”, Craft Alliance
Gallery, St. Louis, Missouri
“Teapots”, The Society for Contemporary Crafts, Pittsburgh,
Pennsylvania
“The Cup”, The Works Gallery, Philadelphia, Pennsylvania
1993 “Soup Tureens '93”, Helen Drutt Gallery, Philadelphia,
Pennsylvania
“Daily Rituals”, Pottery Northwest, Seattle, Washington
“Clay 1993: A National Survey”, William Traver Gallery,
Seattle, Washington
“The First Annual Strictly Functional Pottery National Exhibit”,
Market House Crtaft Center, Lancaster, Pennsylvania
“Cedar Creek Gallery National Teapot Show ll”, Cedar
Creek Gallery, Raleigh, North Carolina
“Form, Function, Fantasy”, Helen Drutt Gallery, Philadelphia,
Pennsylvania
“Fletcher Challenge Ceramics Award”, Auckland, New Zealand
“Peters Valley Faculty Show”, Peters Valley, Crafts
Center, Layton, New Jersey
“Arrowmont Faculty: Summer 1993”, Arrowmont School of
Arts and Crafts, Gatlinburg, Tennessee
“1993, The Year of American Craft”, Maveety Gallery,
Salishan, Oregon
“The Framed Teapot”, Pro Art, St. Louis, Missouri.
“The American Hand: Fifty Years of Crafts”, Minnesota
Museum of Art, St. Paul, Minnnesota
“Two Hands—One Heart: A Survey of Contemporary Ceramics”,
Katie Gingrass Gallery, Milwaukee, Wisconsin
“Functional Ceramics 1993”, Wayne Center for the Arts,
Wooster, Ohio
“Woodfire”, Joanne Rapp Gallery, Scottsdale, Arizona
1992
“Rituals of Tea”, Garth Clark Gallery, Los Angeles,
California
“First Cup of the Day: Beauty Through Use”, Swidler
Gallery, Royal Oak, Michigan
“MCA Meets MCA: Breaking Tradition”, Maine Coast Artists,
Rockport, Maine
Ceramics Gallery of B.C., Vancouver, B.C., Canada
“Midwest Potters”, The Works Gallery, Philadelphia,
Pennsylvania
“Woodfire”, Ferrin Gallery, Northampton, Massachusetts
“Ceramic Teapot Invitational”, Clark Hall Gallery, Southeastern
Louisiana University, Hammond, Louisiana
“Fletcher Challenge Ceramics Award”, Auckland Museum
of Art, Auckland, New Zealand
“Visiting Artists Show”, Ohio State University, Columbus,
Ohio
“A Vase for Flowers”, Greenwich House Pottery, New York,
New York
“Teapots: Contemporary Views, 1992”, Pro Art, St. Louis,
Missouri
“2nd Annual Oregon Ceramic Invitational”, Linfield College,
McMinnville, Oregon
“Teapots: Contemporary Views”, Northern Clay Center,
St. Paul, Minnesota
“A Tea Party”, Ferrin Gallery, Northampton, Massachusetts
“100 Cups”, Pro Art, St. Louis, Missouri; Kalamazoo
Institute of Arts, Kalamazoo, Michigan
1991
“Sphere of Influence”, Pro Art, St. Louis, Missouri
“Fletcher Challenge Ceramics Award”, Auckland Museum
of Art, Auckland, New Zealand
“Rituals of Tea”, Garth Clark Gallery, New York, New
York
“Works in Clay VII”, Wichita Falls Museum, Wichita Falls,
Texas
“Dual Function: Art for the Table:, Northern Clay Center,
St. Paul, Minnesota
“The Expressive Teapot”, Swidler Gallery, Royal Oak,
Michigan
“On the Table, On the Wall, The Platter”, Swidler Gallery,
Royal Oak, Michigan
“The Pitcher”, The Farrell Collection, Washington, DC
“Wood Spirits”, Mesa Arts Center, Mesa, Arizona
“High Tea”, Moira James Gallery, Green Valley, Nevada
“NCECA Conference 1991”, Joanne Rapp Gallery, Scottsdale,
Arizona
“Visiting Faculty Exhibition”, Hui Noeau Visual Arts
Center, Maui, Hawaii
“The Evasive Vase:, Pro Art, St. Louis, Missouri
“Teapot Invitational”, Pro Art, St. Louis, Missouri
1990
“From Form to Fancy: Contemporary Teapots, Pittsburgh Center
for the Arts, Pittsburgh, Pennsylvania
“Tea for Two”, Pine Street Lobby Gallery, San Francisco,
California
“The Teapot”, The Works Gallery, Philadelphia, Pennsylvania
“Teapots: Contemporary Views”, Pro Art, St. Louis, Missouri;
Arapaho Community College, Colorado Gallery of the Arts, Littleton,
Colorado; Emison Gallery, De Pauw University, Greencastle, Indiana;
Rathbone Gallery, Sage Jr. College, Albany, New York; Octagon Center
for the Arts, Ames, Iowa
“Clay Invitational”, Nancy Margolis Gallery, Portland,
Maine
“Minnesota Clay Invitational”, Rochester Art Center,
Rochester, Minnesota
“Fragile Blossoms, Enduring Earth: The Japanese Influence
on American Ceramics” Everson Museum of Art, Syracuse, New
York; American Craft Museum, New York City, New York
“Clay, Color, Content: The 28th Ceramic National Exhibition”,
Everson Museum of Art, Syracuse, New York; Center for the Arts,
Vero Beach, Florida; Flint Institute of Art, Flint, Michigan; Utah
Museum of Fine Arts, Salt Lake City, Utah
“International Ceramics 1990”, Union Gallery, Kansas
State University, Manhattan, Kansas
“Teapot Invitational”, Swidler Gallery, Royal Oak, Michigan
“Clay”, The Cooper Gallery, Manalapan, Florida
“Plate Exhibition”, Emison Gallery, DePauw University,
Greencastle, Indiana; Wustum Museum, Racine, Wisconsin
“Ashen Beauty”, University of Oregon Museum of Art,
Eugene, Oregon; Holter Museum of Art, Helena, Montana; Hockaday
Center for the Arts, Kalispell, Montana; MonDak Heritage Center,
Sydney, Montana; Tacoma Art Museum, Tacoma, Washington; Cheney Cowles
Memorial Museum, Spokane, Washington; Luckenbach Mill Gallery, Bethlehem,
Pennsylvania; Nora Eccles Harrison Museum of Art, Utah State University,
Logan, Utah; Boise State University Gallery ofArt, Boise, Idaho;
Coos Art Museum, Coos Bay, Oregon
“Functional Ceramics 1990”, The Wayne Center for the
Arts, Wooster, Ohio
“Clay”, The Worcester Center for Crafts, Worcester,
Massachusetts
“Teapots”, The Elements, Greenwich, Connecticut
“High Noon Teapot Show”, Moira James Gallery, Green
Valley, Nevada
“Arrowmont Faculty: Summer 1990”, Arrowmont School of
Arts and Crafts, Gatlinburg, Tennessee
1989
“The Eccentric Teapot”, Garth Clark Gallery, Los Angeles,
California
“The Expressive Teapot”, Swidler Gallery, Royal Oak,
Michigan
“Porcelain”, University of Nebraska, Lincoln, Nebraska
“Craft Design ‘89”, Colorado Craft Center, Denver,
Colorado
“Cedar Creek National Teapot Show”, Cedar Creek Gallery,
Creedmoor, North Carolina
“Clay AZ Art XV”—International Ceramics Conference
Exhibit, Northern Arizona University Art Gallery, Flagstaff, Arizona
“Pro Art Plate Invitational”, Pro Art, St. Louis, Missouri
“Beautiful Soup”, The Elements Gallery, Greenwich, Connecticut
“Ceramics”, Anderson Ranch Arts Center, Snowmass Village,
Colorado
“The Drinking Vessel”, Pewabic Pottery, Detroit, Michigan
“Jeff Oestreich/Everette Busbee”, Dexterity Gallery,
Toronto, Ontario, Canada
“Midwest Ceramics Invitational”, Parkland College, Champaign,
Illinois
1988
“Midwest Potters”, University of Northern Iowa, Cedar
Falls, Iowa
“Selections from the Arrowmont Collection”, East Tennessee
University, Johnson City, Tennessee
“The American Collection”, Fortunoff, New York City,
New York
“Professor’s Choice”, Scripps College, Claremont,
California
“Ceramics in America”, Garth Clark Gallery, Los Angeles,
California
“A Pot is a Pot...or is it?”, The Athenaeum, Alexandria,
Virginia
“Teapot, Teacup Show”, Grand Avenue Gallery, St. Paul,
Minnesota
“Minnesota Potters”, Silvermine Gallery, Stamford, Connecticut
“Arrowmont Faculty: Summer 1988”, Arrowmont School of
Arts and Crafts, Gatlinburg, Tennessee
“Functional Ceramics and Beyond: Inspiration from the Vessel
Aesthetic”, Louisiana State University, Baton Rouge, Louisiana
“Settings: Patrick Loughran, Jim Makins, Jeff Oestreich, Jacquie
Rice, and Beatrice Wood”, Garth Clark Gallery, New York, New
York
“The Form of Function”, Creative Arts Workshop, New
Haven, Connecticut
“Jeff Oestreich, Mark Pharis, Virginia Cartwright”,
Pewabic Pottery, Detroit, Michigan
1987
“Clay and Fiber - Warren MacKenzie Selects”, Clay Place
Gallery & Concept Art Gallery, Pittsburgh, Pennsylvania
“Homage”, Garth Clark Gallery, Los Angeles, California
“Contemporary Crafts: A Concept in Flux”, Society for
Art in Crafts, Pittsburgh, Pennsylvania
“In Celebration of Tea: Selected Artists from America and
Canada”, Clark Gallery, Lincoln, Massachusetts
“Cuisine Art”, The Elements, Greenwich, Connecticut
“The Vessel as Image”, Nancy Poole’s Studio, Toronto,
Canada
“Teapot Invitational”, Pewabic Pottery, Detroit, Michigan
“23 + 1”, Lill Street Studios, Chicago, Illinois
“Salute to Penland Crafts 1987”, The Signature Gallery,
Atlanta, Georgia
“Minnesota Potters”, Concordia College, Moorhead, Minnesota
“Coffee/Teapot Show”, Lee Sclar Gallery, Morristown,
New Jersey
“Speaking of Function”, Susanne Kohn Gallery, Minneapolis,
Minnesota
“Leach Tradition”, (curated by Jeff Oestreich), Pro
Art, St. Louis, Missouri
1986
“Arrowmont Faculty “86”, Arrowmont School of Arts
and Crafts, Gatlinburg, Tennessee
“Vessels in Clay”, Vincennes University, Vincennes,
Indiana
“Fresh Clay”, Katherine Nash Gallery, University of
Minnesota, Minneapolis, Minnesota
“Clay Spectrum 4”, Craftsman’s Gallery, Scarsdale,
New York
“Rituals of Tea”, Judd Street Gallery, London, England
“A Week Show of Pour Pots”, Pro Art, St. Louis, Missouri
“Birthday Celebration”, Rochester Art Center, Rochester,
Minnesota
“15th Biennial National Art Exhibit”, 2nd Crossing Gallery,
Grand Forks, North Dakota
“Selections from the Earl Millard Collection”, University
of Southern Illinois, Edwardsville, Illinois
“Salt Glaze ‘86”, Galerie Handwerk-Koblenz, Koblenz,
Germany
1985
“Teapots/Pitchers”, Pewabic Pottery, Detroit, Michigan
“The Presence of Clay”, Jane Corkin Gallery, Toronto,
Canada
“The Clay Palette”, America House Gallery, Tenafly,
New Jersey
“Utility Plus”, Minneapolis Art Institute, Minneapolis,
Minnesota
“Clay: Everyday Plus Sunday”, John Michael Kohler Art
Center, Sheboygan, Wisconsin
“Minnesota Connection”, Craftsman’s Gallery, Scarsdale,
New York
“Midwest/Northwest”, Lill Street Gallery, Chicago Illinois
and the Archie Bray Foundation, Helena, Montana
“For the Bride and Groom”, Craftsman’s Gallery,
Scarsdale, New York
“Botanical Inspired Ceramics”, St. Louis Botanical Garden,
St. Louis, Missouri
“International Ceramics Exhibition”, Taipei Fine Arts
Museum, Taipei, Taiwan, Republic of China
1984
“Art for the Table”, American Craft Museum, New York,
New York
“Vases, Platters and Slabs”, Seastar Gallery, Big Fork,
Montana
“The American Coffee Cup”, Rochester Art Center, Rochester,
Minnesota
“Minnesota Ceramics”, North Dakota Museum of Art, Grand
Forks, North Dakota
“Visiting Artists Show”, Ohio State University, Columbus,
Ohio
“Woodfiring in America”, Craftsman’s Gallery,
Scarsdale, New York
“Functional Ceramics”, Wooster Art Museum, Wooster,
Ohio
“Platters and Related Forms”, University of Southern
Illinois, Edwardsville, Illinois
“Teabowls”, Craft Alliance Gallery, St. Louis, Missouri
“Ceramics Invitational”, North Hennepin Community College,
Minneapolis, Minnesota
“Art for the Table”, Private Stock Gallery, Kansas City,
Missouri
“Higher Functions”, The Elements, New York, New York
1983
“14th Annual Ceramics Invitational”, University of Wisconsin,
Whitewater, Wisconsin
“Art for Eating”, The Elements, Greenwich, Connecticut
“Cups and Saucers”, By Design, Minneapolis, Minnesota
“Clay Interaction ‘83 Exhibition”, Logan, Utah
“Summer Clay Invitational”, Departure Gallery, New York,
New York
“Mingei-Sota”, Kansas City, Missouri
“Guess Who’s Coming to Dinner”, Craft Alliance
Gallery, St. Louis, Missouri
“Leach in America”, Garth Clark Gallery, New York, New
York
“Mingei-Sota”, Hand and Spirit Gallery, Scottsdale,
Arizona
1982
“The Great American Bowl”, Newport Art Museum, Newport,
Rhode Island
“Minnesota Connection”, Craft Alliance Gallery, St.
Louis, Missouri
“Tabletoppings”, Form and Function Gallery, Atlanta,
Georgia
“Cups and Saucers”, By Design, Minneapolis, Minnesota
“Fired with Wood”, Craftsmen’s Gallery, Omaha,
Nebraska
1981
“Minnesota Ceramics: An Invitational”, St. Cloud State
University, St. Cloud, Minnesota and Rourke Gallery, Concordia College,
Moorhead, Minnesota
“Earthen Crafts”, Minneapolis, Minnesota
“Cooking Pots”, Craftsmen’s Gallery, Omaha, Nebraska
“Fire and Ashes”, Pittsburgh, Pennsylvania
“Spouting Ideas”, Milwaukee, Wisconsin
“Teabowls”, Seastar Gallery, Big Fork, Montana
“Minnesota Potters”, Venezuela
“Three From Minnesota”, Minneapolis, Minnesota
“Teapots/USA”, University of Southern Illinois, Edwardsville,
Illinois
“Useful Pots”, Arvada Center for the Arts, Arvada, Colorado
“Dinnerware”, Craftsmen’s Gallery, Omaha, Nebraska
“The Minnesota Governor’s Residence Dinnerware Competition
Finalists Exhibit”, Northfield, Minnesota
“OSU Faculty”, Ohio State University, Columbus, Ohio
1980
“8 Approaches to Function”, Kansas City, Missouri
“Clay Symposium ‘80”, University of Notre Dame,
South Bend, Indiana
“Foot in the Door”, Minneapolis Institute of Art, Minneapolis,
Minnesota
“Utilitarian Clay Works”, Minneapolis, Minnesota
“Minnesota ‘80”, Minneapolis, Minnesota
“Mug Shots”, Canada
1979
“Southwestern State University Ceramics Exhibition”,
Marshall, Minnesota
“11th Biennial National Art Exhibition”, Brookings,
South Dakota
“Minnesota Competitive Exhibition”, Rochester Art Center,
Rochester, Minnesota
“44th Annual National Art Exhibition”, Cooperstown,
New York
“Beaux Art Designer Craftsman”, Columbus, Ohio
“Minnesota Crafts Council Juried Exhibition”, Tweed
Museum, Duluth, Minnesota
“Ceramics Invitational”, St. Paul, Minnesota
1978
“Minnesota Potters”, Memphis Academy of Art, Memphis,
Tennessee
“The Leach Tradition”, Groveland Gallery, Minneapolis,
Minnesota
“International Bendigo Pottery Award Exhibition”, Bendigo,
Australia
“International Exhibition of Ceramic Art”, Faenza, Italy
“Clay-Fiber-Glass”, Neville Public Museum, Green Bay,
Wisconsin
“11th Annual Central Pennsylvania Craft Exhibition”,
State College, Pennsylvania
“Minnesota Crafts Council Juried Exhibition”, St. Paul,
Minnesota
“Clay and Paper”, The Octagon Art Center, Ames, Iowa
“Men and Women in the Arts II”, Sheboygan, Wisconsin
1977
“Minnesota ‘77”, Bloomington Art Center, Bloomington,
Minnesota
“42nd Annual National Art Exhibition”, Cooperstown,
New York
“Beaux Art Designer Craftsman”, Columbus, Ohio
“Contemporary Drinking Vessels”, Craftsmen’s Gallery,
Omaha, Nebraska
“Rochester Midwest Competitive”, Rochester Art Center,
Rochester, Minnesota
“Prints, Drawings, and Crafts Exhibition”, Little Rock,
Arkansas
Public
Collections
Ichon World Ceramic Center, Korea
Aberystwyth Arts Centre, University of Wales, Aberystwyth, Wales
Arizona State University Museum of Art, Tempe, Arizona
Arkansas Decorative Arts Museum, Little Rock, Arkansas
Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee
Augsburg College, Minneapolis, Minnesota
Charles A. Wustum Museum of Fine Arts, Racine, Wisconsin
City Gallery, Gold Coast City, Australia
College of Fine Arts, University of Florida, Gainesville, Florida
Cooper-Hewitt Museum, Smithsonian Institution’s National Museum
of Design, New York City, New York
Everson Museum of Art, Syracuse, New York
Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis,
Minnesota
Kalamazoo Institute of Arts, Kalamazoo, Michigan
Huntington Museum of Art, West Virginia
Kansas City Art Institute, Kansas City, Missouri
La Trobe Univeristy, Shepparton, Australia
Los Angeles County Museum, Los Angeles, California
Margaret Harlow Collection, Bemidji State University, Bemidji, Minnesota
Minneapolis Institute of Art, Minneapolis, Minnesota
Minnesota Historical Society
Neville Public Museum, Green Bay, Wisconsin
Newark Museum of Art, Newark, New Jersey
Nottingham City Museum, Nottingham, England
Renwick Gallery of the National Museum of American Art, Smithsonian
Institution, Washington DC
Southwestern State University, Marshall, Minnesota
Taipei Fine Arts Museum, Taiwan, Republic of China
The Auckland Museum of Art, Auckland, New Zealand
The Corshaw Collection, New York State College of Ceramics at Alfred
University, Alfred, New York
Utah State University, Logan, Utah
Victoria Ceramic Group, Melbourne, Australia
Books
and Catalogues
American Ceramics, 1989. The Collection of the Everson Museum of
Art, New York, Rizzoli, page 312
Berman, Rick. 1980. Teapots, Atlanta, Georgia, pages 68, 103
Burleson, Mark, 2001. The Ceramic Glaze Handbook, Lark Books, pages
61, 126, 139
Clark, Garth R. 1987. American Ceramics, 1876 to the Present, New
York, Abbeville Press.
De Waal, Edmund, 1999. Design Sourcebook: Ceramics, New London Publishers
(UK) Ltd. page 104
Fairbanks, Jonathan and Fina, Angela. 1996. The Best of Pottery
I, Quarry Books, page 132
Ferrin, Leslie. 2000. Teapots Transformed: Exploration of an Object,
Guild Publishing, page 25
Fina, Angela and Gustin, Christopher. 1998. The Best of Pottery
II, Quarry Books, page 113
Fragile Blossoms, Enduring Earth: The Japanese Influence on American
Ceramics, 1989. Everson Museum of Art, New York. Pages 37 &
98
Hopper, Robin. 2000. Functional Pottery: Form and Aesthetic in Pots
of Purpose, Krause Publications, 2nd edition, pages 84, 218, 222,
230
Hluch, Kevin A, 2001. The Art of Contemporary American Pottery,
Krause Publications, pages 81, 95, 130
Illian, Clary. 1999. A Potter’s Workbook, University of Iowa
Press, pages 48, 97
Lauria, Jo. 2000. Color and Fire: Defining Moments in Studio Ceramics,
1950-2000, Rizzoli International Publications,. page 119
Levin, Elaine. 1989. The History of American Ceramics. New York,
Harry N. Abrams, Inc.
Mansfield, Janet. 1992. Salt-Glaze Ceramics: An International Perspective,
Pennsylvania Chilton Books, pages 64-65
Minogue, Coll and Sanderson, Robert. Wood-Fired Ceramics: Contemporary
Practices, A & C Black, page 9
The Penland Book of Ceramics,2003, Lark Books, page 128
Peterson, Susan, 2000. Contemporary Ceramics, Laurence King Publishing,
London, page 32
Rhodes, Daniel. 2000. Clay and Glazes for the Potter, Krause Publications,
pages 294 & 297
Rogers, Phil. 2002. Salt Glazing, A & C Black, London, pages
188-191
Rogers, Phil. 2000. Throwing Pots, A & C Black, London, page
71
Smith, Paul J., 2002. Objects for Use/ Handmade by Design, Harry
N. Abrams, Inc, Publishers, pages 98, 99, 111
Whybrow, Marion. 1996. The Leach Legacy, Bristol, England, Sansom
& Company, pages 150-151, plate 2
Wood, Karen Ann. 1999. Tableware in Clay, The Crowood Press, pages
90, 129
Zakin, Richard. 1999. Ceramics: Ways of Creation, Krause Publications,.
pages 225-231
Periodicals
and Reviews
Riddle, Mason.
“Pastoral Pottery”, St. Paul Pioneer Press (Express
Section), Tuesday, May 7, 2002. pages 1E and 2E
Riddle, Mason. “St. Croix Valley Potter’s 10th Annual
Studio Tour”, Ceramics Monthly 50, no.5 (May 2002). pages
32-36
Anders, K.T. “Transitions From Wheel to Table”, Clay
Times 7, no.4 (July/August 2001). pages 32-35
“15 Minnesota Potters”, Studio Potter 4, no. 2, page
37
“Approaches to Function”, Ceramics Monthly 29, no. 7
(September 1981). page 45
“Art, Money, and the NEA”, Ceramics Monthly 35, no.
2 (February 1987). pages 43 and 48
“Edge: Identity and Change”, Pottery in Australia, no.
3 volume 37 September 1998. pages 56-57
“National Endowment for the Arts Visual Artists Fellowships
1986”, American Craft 46, no. 6 (December,1986). page 28
“News and Retrospect”, Ceramics Monthly 35, no. 6 (June/July/August
1987). page 83
“News and Retrospect”, Ceramics Monthly 35, no. 7 (September
1987). page 83
“Portfolio and Functional Forms”, Studio Potter 13,
no. 2 (June 1985). pages 31 and 34
“Portfolio”, American Craft 39, no. 4 (August/September
1979). page 45
“The Studio Potter 20th Anniversary Collection”, Studio
Potter 20, no. 2. page 70
“Up Front”, Ceramics Monthly 40, no. 5 (May 1992). page
22
“Up Front”, Ceramics Monthly 47, no. 1 (January 1999).
page 26
“Up Front”, Ceramics Monthly 48, no 5 (May 2000). page
22
“Wood Firing in America”, Ceramics Monthly 33, no. 7
(September 1985). page 41
Buckle, Sue. “Clay x 4”, Pottery in Australia, no 3
volume 38 September 1999. pages 29-31
Casson, Mick. “An International Potter’s Festival in
Wales”, Contact, no. 110 Autumn 1997. page 19
Chalke, John. “Jeff Oestreich: Sensual Clay”, Ceramic
Review, no. 166 (July August 1997). Pages 37-40
Clegg, Emma. “Jeff Oestreich: Contemporary Ceramics London”,
Ceramic Review, issue 175 January/February 1999, pages 42-43
Crane, Tim. “Speakeasy”, New Art Examiner (September
1985). pages 12-14
Festivals, Ceramic Review, no. 167 ( September October 1997). page
27
Garcia, Chris. “1997 International Potters Festival in Wales”,
Clay Times, no. 6 November/December 1997. pages 17-18
Geraghty, Helen. “Minnesota’s Skillful Potters”,
The New York Times (Travel Section) Sunday, June 28, 1987. pages
6 and 32
Glasgow, Andrew. “Utilitarian Clay: Celebrate the Object”,
Ceramics: Art and Perception, no. 10. (1992)
Harris, Jim. “Jeff Oestreich: Studio Potter”, American
Ceramics 7, no. 3 (July,1989). pages 38-43
Hluch, Kevin. “Minnesota Invitational”, Ceramics Monthly
31, no. 2 (February 1983). page 58
MacKenzie, Warren. “Minnesota Pottery: A Potter’s View”,
Ceramics Monthly 29, no. 5 (May 1981). page 29
Mongrain, Jeffrey. “Exhibition Review”, American Ceramics
12, no. 2 (June 1996). page 52
Mosley, Linda. “The Leach Tradition”, Ceramics Monthly
36, no. 3 (March 1988). page 24
Murphy, Terri. “Jeff Oestreich, Potter”, Ceramics Monthly
29, no. 7 (September 1981). Cover and pages 50-55.
Oestreich, Jeff, “Developing Form”, Ceramics Monthly
48, no 6 (June 2000). Cover and pages 52-55
Oestreich, Jeff. “Ceramic Artist Jeff Oestreich”, The
Design Magazine (Korean Publication), no. 10 (October 1987), pages
66-68
Oestreich, Jeff. “Change”, Ceramics Monthly 36, no.
5 (May, 1988). Cover and pages 42-47
Oestreich, Jeff. “Glazes-Honoring the Past and Celebrating
the Present”, Studio Potter 48, no 1. page 28-29
Oestreich, Jeff. “Redefining Security”, Studio Potter
18, no. 1 (December 1989). page 13
Oestreich, Jeff. “Some Thoughts on Studio Pottery”,
Ceramics Monthly 31, no. 8 (October 1983). Cover and pages 52-57.
Osgood, Philip. “Jeff Oestreich: Functional Potter”,
Ceramics: Art and Perception, no. 23. (1996). pages 3-7
Schlinkman, Lynne. “Fourth Strictly Functional Pottery National
Exhibit”, Clay Times, no. 5 (September October 1996). page
16
Simon, Sandy. “The Mingei-sota Movement”, Ceramics:Art
and Perception, no. 21. pages 85-87
Tipton, Barbara. “A Utah Symposium”, Ceramics Monthly
31, no. 8 (October 1983). pages 48-51
Williams, Howard. “Jeff Oestreich: Albany Village Gallery”,
New Zealand Potter, no.1 volume 40 (1998). pages 37-38 |
